web analytics
<
Tag Archive - kobe bryant

Kobe Bryant and Faith as Small as a Mustard Seed

Photo by blmiers2 on Flickr

“Clutch” is a pretty hot topic on the basketball Internet these days and the reason is plain: inasmuch as there’s some kind of basketball war going down between the advanced stats-heads and the old school, it’s over this notion that when the pressure’s on, certain guys are going to make that key shot and certain guys are going to shrink. Exhibit A: Kobe Bryant. Exhibit B: LeBron James.

But this isn’t going to be something that’s in defense of either of these approaches, precisely, but rather a look at how the whole idea of the “clutch narrative” influences our understanding of the game as it unfolds. Let us take, for example, last night’s game between the Thunder and the Lakers, a game the Thunder came back to win 103-100, giving them a 3-1 lead in the best of seven series.

Now, after Game 3, a game which the Lakers won and in which Durant missed a long jumper that would have tied it, Bryant had some choice words about how he plays the game, as reported by Yahoo! Sports:

“I don’t give a [expletive] what you say,” Bryant told Yahoo! Sports late Friday. “If I go out there and miss game winners, and people say, ‘Kobe choked, or Kobe is seven for whatever in pressure situations.’ Well, [expletive] you.

“Because I don’t play for your [expletive] approval. I play for my own love and enjoyment of the game. And to win. That’s what I play for. Most of the time, when guys feel the pressure, they’re worried about what people might say about them. I don’t have that fear, and it enables me to forget bad plays and to take shots and play my game.”

Well, no one ever accused Kobe Bryant of being charming. And that’s not why people who love Kobe Bryant and those who want him to have the ball with the clock winding down think he’s great. It’s precisely stuff like the above quotes, which sound great after you win, but less good after you lose. And that’s sort of the funny thing about the whole clutch narrative because it actually isn’t predicated on results, despite its insistence on focusing on what really matters and not on numbers. The story of one player’s ability to make the tough shots overwhelms what we’re seeing in the moment.

Let’s take a look at Bryant in the fourth quarter of Game 4. Again, I’m not out to refute the idea that he’s clutch, I’m just trying to point out how the idea that he’s clutch—an idea that he himself reinforces with quotes like the above—dictates the way that we and he and his teammates understand his play.

In the above possession, Bryant backs down James Harden and takes a very difficult turnaround jumper that he misses. The Lakers are up 11 at this point with 8 minutes to go in the game. For future reference, it’s important to note that this appears to be a Bryant isolation play from the very beginning, with no activity intended to get any other teammate open or involved. His miss leads to a Jordan Hill rebound which he puts back up and in. (Note that a foul could easily have been called on Hill for clearing Kevin Durant out with his elbow on the rebound. Bryant didn’t draw the attention of the defense to allow Hill that rebound.) So Bryant takes the Thunder on on his own with a big lead, misses, and Hill cleans up the mess.

Three minutes later, with Oklahoma City having cut the deficit to 7, another iso is called for Bryant, again without any kind of secondary action to get teammates open. Bryant sizes Harden up and shoots over him, missing the shot.

Following a three on the other end to cut it to 94-90, Bryant doesn’t use the screen Gasol sets, but instead once again backs Harden down in almost the exact same play as the first clip above. Bryant once again takes a tremendously difficult shot but this time he makes it. But pay some special attention to commentator Kevin Harlan’s reaction: “OHH! What a shot by Kobe Bryant!” And that’s a story we understand as the game is unfolding: Bryant is taking command to stave off this Thunder run, taking and making the difficult shots, shots many players might shrink from. As he said the night before after the Laker win, “I don’t have that fear, and it enables me to forget bad plays and to take shots and play my game.” He missed that same shot earlier and made a poor shot choice the possession prior, but he can forget that and play his game. I’m less sure his teammates can forget it, though. Already, you can see reticence setting in when the ball comes to Bryant; it’s clear that it’s “Kobe time” now.

After the Thunder get it back on the other end, Bryant gets it at the top of the arc, takes the screen from Pau Gasol, gets chased over the top by Durant, and then tries to take Durant off the dribble. Durant keeps him in check and with the shot clock winding down he forces up a long jumper that misses badly. Again, the rest of the Lakers basically stop trying to get involved in the play once Bryant gets the ball. Gasol meanders into the paint and Metta World Peace drifts out to the three-point line, but no one’s really trying to get open and why should they? It’s Kobe time.

With the score still 96-92, Bryant takes Steve Blake’s screen (which Durant easily handles), then drives the lane, missing the shot as he runs into the teeth of the Thunder defense. If you look at this still, you can see that Blake, World Peace, and Gasol are all open:

But they’re not going to get the ball. We don’t expect it and they don’t expect it. And this is one of the interesting things about this narrative about Kobe being clutch. In the above interview he said “If I go out there and miss game winners, and people say, ‘Kobe choked, or Kobe is seven for whatever in pressure situations.’ Well, [expletive] you.” But he’s not shooting game winners here—his play is actively driving the game towards a situation where he will have to hit a game winner. And if he does, he’ll be the one who took on the pressure, who doesn’t give a [expletive] what you think about how he plays.

With the Thunder down by two, Durant gets the ball with Bryant defending him. This is a good matchup for Durant with his back to the basket since he’s got a couple inches on Bryant. He backs him down, Bryant reaches, Durant spins baseline and Gasol can’t close out. It’s a smart, savvy play that shows off Durant’s growing comfort with his back to the basket. It’s a much better shot than the one Bryant pulled off over Harden and yet there’s no reaction from the commentators. Durant’s play was just good basketball, while Bryant’s was a circus shot that reinforces the story about his stone-cold clutchness. But now the game is tied and what does Bryant do? He takes the quick screen from Gasol and launches a three that clanks off the back rim.

Here’s the key possession that decides the game, where Gasol turns the ball over on a bad pass:

Now I’m not absolving Gasol of blame here; he makes a bad play when he gets the ball by trying to throw that pass. But there’s also been nothing in every play leading up to this one that would make anyone believe Bryant’s going to give that ball up. Any other player getting doubled up like that might pass out of it, but Bryant’s already shown in previous possessions that he’s taking it on himself to score. Maybe Gasol was ready for the pass in something more than just a pro forma way, but his reaction and decision to pass seems to indicate that maybe he was taken a little off guard.

And what’s his reward for turning it over? Bryant’s misplaced trust in him is revoked on the next possession. With the Thunder up 101-98, Bryant again takes a screen from Gasol but it’s just clear there’s no way Gasol is getting the ball again, not even with this much space:

A few more Bryant misses and that was all she wrote. Bryant went 2-10 in the fourth and his postgame comments were considerably less cocky. “It was a bad read on Pau’s part,” he said. “Pau has got to be more assertive; he’s got to be more aggressive.” Apparently he’s not as quick to forget his teammate’s bad plays as he is to forget his own.

But in the end, this game doesn’t prove that Kobe’s not clutch anymore than the win in Game 3 proves that he is. The numbers say one thing, the hordes of admirers (many of whom are smart basketball coaches and analysts) say another. But whether you believe Kobe’s rep as a closer is deserved or not, the rep itself can become a dangerous thing in a situation like Game 4. When he starts forcing shots as he did in the fourth quarter, he believes in it, the commentators believe in it, the crowd believes in it, but worst of all, his teammates believe in it. The force of that belief in that moment is stronger than numbers and weirdly, not even failure seems to be able to shake it.

There’s a reason why the numbers will never convince a true believer in Bryant’s clutch credentials and that’s because clutch for them is not an accumulation of shots made versus shots taken but an article of faith. The argument against it is like Smerdyakov’s reasoning in a debate from The Brothers Karamazov. In the book, there’s a newspaper story about a Russian soldier being captured and forced “on pain of agonizing death to renounce Christianity and convert to Islam.” He refuses and is killed gruesomely, but Smerdyakov can’t understand why this should glorify the soldier’s faith.

“[I]t is said that if you have faith even as the little as the smallest seed and then say unto this mountain that it should go down into the sea, it would go, without the slightest hesitation … If at that moment I were to say unto that mountain: ‘Move and crush my tormentor,’ it would move and in that same moment crush him like a cockroach, and I would go off as if nothing happened, praising and glorifying God. But if precisely at that moment I tried all that … and it didn’t crush them, then how, tell me, should I not doubt then, in such a terrible hour of great mortal fear?”

To Smerdyakov, miracles should provide evidence that proves faith, but a true believer doesn’t see the failure of the mountains to move according to his or her belief as evidence against their faith anymore than those who believe that Bryant is clutch think missing shots is evidence he’s not. It’s both the beauty and the difficulty of faith, both its strength and its weakness.

And so one side puts its faith and heart into it, believing it’s the most important part of a player’s basketball DNA while the other side tries to show that it’s an illusion, a phantom, something that misleads us in our understanding. Heck, maybe the greatest trick the devil ever pulled wasn’t convincing the world he didn’t exist, but convincing us that clutch does.

Offensive Geometry

Fishing (?) boat being built

On many things, reasonable people may disagree. I believe whole-heartedly in this principle, and the consistent frequency with which is manifests itself. When it comes to basketball there may be no subject which inspires more disagreement, reasonable and otherwise, than Kobe Bryant and the Lakers’ offense. I’ll save you the time of reading an awkward summary/re-hashing of the isolationist debate that’s taken place this season and last; I’m sure you’re all familiar with the talking points of both Kobe defenders and detractors. However, I would like to present a slightly new way of looking at these issues. I’d also like to state formally that in knowingly delving into this complicated subject, I intend to proceed without the intentional use of snark or hyperbole of any kind.

Before embarking on a discussion of the relative merits of the Lakers’ offensive approach, the nature of that approach must first be established. To that end, I tried to create a more visual representation of those offensive options, the relative values and how they’re balanced. I began by combing mySynergySports and identifying every offensive outcome for the Lakers that had occurred at least 100 times this season. By offensive outcome I mean both possession type and the specific player who ultimately used that possession. I was focused on deliberate offensive choices so I left out transition possessions and offensive rebounds, who’s frequency may have more to do with opportunity than deliberate design. The radar graph below shows two different pieces of information for each outcome – the points per possession that outcome netted the Lakers on average, and the total number of times it occurred this season. The yellow line represents the points per possession, the purple represents the number of occurrences. (Each vertical segment of the graph represents 100 occurrences. Try as I might I couldn’t get Excel to display the scales for both data sets without having them overlap.)

Even if “in Kobe you trust” the focus of criticism should at least be obvious. Of the Lakers’ five most productive offensive outcomes, none occurred more than 200 times on the season. Meanwhile nearly 1,100 Lakers’ offensive possessions were used by Kobe Bryant in either isolations, post-ups, or pick-and-rolls. The offensive efficiency the Lakers received from those possessions fell in between what they got from Metta World Peace in the post (0.84 ppp) and Ramon Sessions in the pick-and-roll (0.88 ppp). Since most of the focus on the Lakers’ offense has to do with the quantity and quality of offensive possessions used by Kobe, as compared to those used by Andrew Bynum and Pau Gasol, it’s worth pointing out that all but one offensive outcome involving Bynum or Gasol averaged more points per possession than that trio of Kobe solo-acts.

However this is not the end of the discussion, and simply stopping here would be short-sighted and irresponsible. One of the reasons that Gasol and Bynum are able to be so successful off the ball is the threat of Kobe. It’s also not as simple as saying, the Lakers need to get Bynum the ball more as a cutter. Cuts and spot-up options are deployed when a defense is made unbalanced by some other offensive action. There is an inherent tipping point in some of those possessions, a downward slide to that curve, where attempting to run those sets more often will lead to less success.

Kobe did have two offensive possessions this season where he was very effective, spotting up and coming off screens. In those two possession types he averaged 1.03 and 1.00 points per possession, far more than what he netted working on his own against the defense with the ball in his hand. But again, running offensive sets is not choosing from a fixed-price a’la carte menu. Creating more opportunities for Kobe to use those possession types changes the circumstances for every other offensive scenario.

In looking at this graph it’s clear that the Lakers have struck a balance. In fact, they averaged 106.0 points per 100 possessions this season, the 10th best mark in the league; so that balance has been more than a little successful. Yet, questions persist about whether that balance can be sustained for 48 minutes at a similar level of efficiency and whether it really represents all that is possible.

To add some more context to those points I’d like to look at the shape and structure of some other offenses. There is also one other curiosity before we move on, one which is not specific to the Lakers’ graph. You’ll notice that, for the most part, the offensive outcomes that rely on the efforts of a single individual (isolations and post-ups) fall mostly on the back half of the efficiency curve. That patterns holds true for the other three teams I looked at as well.

This next graph is for the Oklahoma City Thunder. They are another team with a very successful offense, 109.8 points per 100 possessions, 2nd in the league this season, who also have a reputation for an isolation heavy attack.

Looking at the Thunder we see plenty of similarities with the Lakers. Isolations and post-ups, other than James Harden’s incredible iso production, are on the back half of the efficiency curve but are used quite a bit. In fact 58.0% of the Thunder’s possessions were used on that back half of that efficiency curve, almost the same as the Lakers’ 61.0%. The difference is that the back half of the Thunder’s curve is much more efficient than the Lakers’. Russell Westbrook’s pick-and-roll possessions were among the least efficient offensive outcomes for the Thunder, but they averaged 0.86 points per possession roughly the same as Kobe’s isos, pick-and-rolls and post-ups. The Thunder have a similar balance to the Lakers but their offense produced more efficient results because they ran each of those options a little bit more effectively.

For an offense with a completely different shape we have to turn to the San Antonio Spurs, the most effective offense in the league this season at 110.9 points per 100 possessions.

The shape of the Spurs’ offense contains a decided absence of peaks and valleys when compared to the Thunder and the Lakers. Their offensive shape also looks quite a bit smaller, and that’s because it is. The Spurs’ graph only shows 3,558 offensive possessions compared to 3,972 for the Lakers. The reason for that is the Spurs’ had quite a few offensive outcomes that occurred less than 100 times this season. Their offense was much more balanced and varied.

The Spurs graph also fits our trend of individual inefficiency, with the four least efficient outcomes being post-ups and isolations. We can attribute at least a measure of the Spurs offensive performance to the fact that these possessions types are used very infrequently as an outcome, just 21.0% of the possessions here; and are used more often to setup spot-up shots, which carry a much greater share of the efficiency load.

Just for fun, I thought it would be worthwhile exercise to include the league worst Charlotte Bobcats’ offense as well.

Here we see that the problem has nothing to do with balance, but rather the complete and utter lack of efficient scoring options.

Before I’m washed away in a tide of negative comments, I’ll clarify that this was not mean as an exercise in criticism, but rather in questioning. The Lakers’ offense is good, certainly good enough to keep them in championship contention. Kobe Bryant is an offensive force almost without equal, and his skills and abilities are at the heart of the Lakers’ attack. But as a fan of basketball, and one who loves watching masterful offensive orchestration, I feel like I’m getting short-changed when I watch the Lakers. They have three of the most effective offensive players in the league, ones who also happen to be incredibly versatile. Imagine what the manipulative and mischievous guile of Gregg Popovich could accomplish with their skills. To watch them so often be used to hit a single note, when harmony could be so much more satisfying, leaves me wanting more.

Expectations & Subversion: How The Spurs Let A Song Go Out Of Their Heart

Photo by Joost J. Bakker IJmuiden on Flickr

When it comes to comparing sports and music, there are few tropes as tired as linking jazz and basketball. Hell, I’ve done it. But as it goes with most clichés, it comes up again and again because there’s a kernel of truth in it, because it can be a useful way to see the game. Like a quintet on the bandstand playing a standard, the five players on the floor in basketball are working within a structure that allows for fluidity and improvisation. The things they’re doing are all interconnected, interdependent, and when one of them shifts his approach, it affects the entire fabric of the play. There’s initiative, understanding, recognition, response. The idea of basketball players as jazz musicians rewards our conception of the game as beautiful, a work of art, even.

But there are other ways to expand our sense of the game via music. What if we instead consider the plays a team runs as being akin to the basic units of pop music: the verse, the chorus, the bridge? After all, the cagiest pop songs play on our expectations with each new section, adding wrinkles and subverting convention, much like Steve Nash does with the basic pick and roll.

Consider, for example, the chorus of Christina Aguilera’s “What A Girl Wants,” which begins at 1:11 in the video below.

The chorus to the song is essentially the same refrain repeated twice, a common enough structure for the hook of a pop tune, but there’s something a little off-kilter about this particular one. The first time, the first line is a pickup into the chorus—that is, “What a girl wants” is sung so that it’s the word “wants” that falls on the first beat of the chorus. The second time through, the line lands slightly differently. It begins on the first beat and the word “wants” falls on the second beat of the chorus. It’s a little rhythmic trickery that keeps it from being repetitive.

And rhythmic trickery is more or less what defines the relationship between the pick and roll and the slip screen. Here’s Kobe Bryant and Pau Gasol running the pick and roll (excuse the ABBA—it’s just the cost of doing business):

Being one of the most fundamental basketball plays, the bread-and-butter pick and roll establishes expectations. The big man will set the pick and the guard will run his man into the pick, letting the big man roll to the hoop. It’s the first time through the chorus. But once the defense is anticipating the straight pick and roll, it’s time to bring out the slip screen. Here’s Bryant and Gasol running it:

As you can see, as soon as Cousins has bought the pick and roll and started hedging in an attempt to stop Bryant from turning the corner towards the middle, Gasol breaks for the bucket, gets the easy pass from Bryant, then feeds it to Lamar Odom under the hoop. This is the second time through the chorus, where a little wrinkle keeps us on our toes.

But that’s playing in a subtle way with expectations. In both music and basketball you can go with a giant misdirection. Consider a staple of hard rock dynamics, the quiet chorus after the bridge as demonstrated by the Smashing Pumpkins in “Bullet with Butterfly Wings” (bridge starts at 2:28 if you want to skip ahead):

At 3:06, just when the conclusion of the bridge seems to be building towards another full-blast chorus, everything except for guitar and vocals drops out, plus the vocals are down an octave from early iterations of the chorus. We’re primed for the big guns, but the song goes in a completely different direction.

Now take a look at the wide-open three-pointer Steve Novak managed to get at the end of the Bulls-Knicks game on Easter at the end of regulation:

Jared Dubin does a great job of breaking down this entire play right here, but the basic thing that made such an open look possible is that everyone was expecting it to go to Carmelo Anthony. Once Anthony gets the ball at the three-point line, he’s doubled, allowing Novak to float out to the opposite side of the floor. His shot, unfortunately, doesn’t go down, but regardless of that, it’s a great play, made possible because everyone’s expecting the big heroic chorus from ‘Melo. Instead, they get the quiet, guitars-and-vocals chorus from Steve Novak.

The thing about basketball, though, is that these patterns don’t happen in isolation, but rather overlap and affect each other over the course of the game. The pick is the foundation of several different plays and can also be part of a larger scheme in either a directly useful or misdirecting way. When it comes to layering motifs and patterns, there a few teams that do it better than the San Antonio Spurs and few bands that do it better than Menomena.

Menomena, from Portland, Oregon, compose their music in a fairly unique way. One of the members begins with a part that gets recorded and then looped while the other members add new parts that interlock with the original part. The early result is reams of rough material that is then shaped into songs as parts are pulled away or added. By the time the compositions are complete and ready to be recorded as full songs, they’re often staggeringly complex songs built from the simplest pieces. Here’s an example from their 2007 album Friend and Foe, a song called “Wet and Rusting”:

You can hear the song begins with a spare melody (“I made you a present …”) repeated twice, followed by a second part sung once (“It’s hard to take risks …”). Since these lines are barely accompanied it’s hard to conceive of them as verses or choruses—they’re just bits right now. The form begins to repeat, but then extends under the second part, this time backed by a guitar line instead of the ghostly piano that backed it the first time. When the piano returns with drums and bass in tow, the words evaporate. The middle instrumental section stays at home harmonically with the first two parts but explores new textures. When the initial lyrical part returns at the 2:21 mark, there’s a new vocal line laid in under it. As the song reaches its dynamic peak, it’s not achieved with new material, but rather by juxtaposing all the previously played parts against one another. It’s an unusual way to build a song, but it’s pretty standard for a basketball offense.

Take the San Antonio Spurs. In a recent game against the Lakers, they hammered the pick and roll with Tony Parker and either Tim Duncan or Tiago Splitter early, probably because the Lakers are notoriously weak defending it. They like to mix it up a bit, with Parker often dishing the ball off before running through the paint to emerge on the other side to receive it again and run the pick and roll. But eliminating transition baskets, the game on offense for the Spurs began with these three plays:

The first one is simple enough: Duncan steps out to set a screen, Parker gets separation from Ramon Sessions (who goes over the screen) and Andrew Bynum is too deep to defend the jumper. This is the first verse, the “I made you a present” of their sets. In the second play, Sessions tries going under the screen, but that still gives Parker room to shoot and he sinks it. This is the repeat of that first melody (“And when you unravel …”). In the third play, Splitter sets the pick and tries to roll, but Pau Gasol closes out and bothers the shot enough to force a miss. The Spurs have established the pattern and now the Lakers have reacted well enough to defend it.

So the next time they run a pick and roll, they run it a little differently:

Here, Splitter sets the pick twice and Bynum and Sessions both follow Parker while trying to shield Splitter from the pass as he roles. But in the meantime, Duncan has slipped away from his defender into the open space by the free throw line extended. He catches the pass from Parker and makes the jumper in rhythm. This is the development of the initial melody into the second melody, the “It’s hard to take risks” part of the Menomena song. It exists in the same general tonal world (that is, it’s not a key change or a big dynamic change), but it’s a little different approach, and just enough to throw us off guard.

But the Spurs haven’t forgotten about that first part. They go back to it, with Parker running a simple pick and roll again on the wing:

Sessions doesn’t want to leave Ginobili, so Parker has an open shot. It’s interesting to note that even as Parker makes the open jumper, Bynum has dropped too low in the post to defend Duncan if Parker had passed it off. This return to the fundamental pick and roll is not simply a rehash of the initial action, but instead is colored by the results of the earlier pick and rolls and Duncan’s made jumper. It is, effectively, the first melody supported by the xylophone and acoustic guitar from “Wet and Rusting.” It’s not just a play, but instead a play that’s been opened up by the plays preceding it.

As the game progresses and the Lakers try to counter the Spurs, the sets become more nuanced and layered. Look at these two possessions:

What begins as a pick and roll turns into multiple screens as the double comes on Parker. In both examples, Bonner’s initial pick is basically a decoy. It draws Gasol and Sessions to the ball and Bonner floats out to the three-point line on the opposite side of the floor. In the first clip, he dribbles closer before handing the ball off to Stephen Jackson and screening his man to allow Jackson the elbow jumper. In the second, Splitter steps out to set yet another pick that Gasol has to go around to get to Bonner, whom Bynum can’t effectively cover. Bonner drains the three. My favorite part of that second one is that Splitter’s screen is actually a slip screen and he’s rolling wide open to the basket as Gasol and Bynum try to close out on Bonner. If Bonner had wanted to, he could have dished it right to Splitter for an easy dunk or layup.

To me, this is the full development of what started as a basic pick and roll at the beginning of the game. That verse melody is now being layered against the secondary melody and a new melody on top of that while the rest of the band provides support. The Spurs have forced the Lakers to adjust and then adjusted to those adjustments. Looking at the second clip, by the time the play has gotten to this point:

… the Lakers are pretty much done for. Look at all the space that Bonner and Jackson have now on the right side of the floor. By the time it gets to here:

… Devin Ebanks has closed out on Jackson in the corner, creating space for Splitter to roll to the basket while Bonner lifts up for a three he’s more than capable of hitting. The Lakers have been manipulated into playing the Spurs’ game.

And by the end of “Wet and Rusting,” the listener has been suckered into Menomena’s game. We’ve heard each of the pieces that have come before in isolation and we’ve heard them pressed against each other, but by the time they all come together into a multiphonic rush of voices and instruments, we’re hearing something greater than the sum of its parts, something greater than that first melody, greater than a simple pick and roll.

Tremendous Tandems: Kevin Durant And Russell Westbrook Aim To Make A Baker’s Dozen

Through 52 games the prodigious pair of Kevin Durant and Russell Westbrook have scored 2,711 points this NBA season, a shade more than half of the Oklahoma City Thunder’s entire point total. Both lead not only at their position in points-per-game, but have been mainstays in the top five on the PPG leaderboard all year long.

Twenty two times this season has this potent pair of assassins posted at least 25 points in the same game, 42% of the entire OKC schedule. Any given night you have to pick your poison, choose which to tie up hoping your roulette gamble pays off and you don’t get torched by the other. Should RussWest, averaging 24.5 PPG as I write this a few hours before the Thunder will square off with the Memphis Grizzlies, go on one more tear and manage to bump up his scoring average to 25.0, he and Durant will become just the thirteenth tandem in NBA history to post 25 PPG for the same team.

The feat has been accomplished only 15 times previously in NBA history by a dozen sets of twosomes.

• Accounting for 57% of their team’s 100.6 average scoring in 2000-01, Shaquille O’Neal put up 28.7 PPG while Kobe Bryant chipped in 28.5 PPG. The Los Angeles Lakers would take the title in dominating fashion.

• Accounting for 57% of the Lakers’ scoring once again in 2002-03, 100.4 PPG, Kobe would knock back 30.0 PPG while Shaq played an increasingly disgruntled second-fiddle to Bryant putting up 27.5 PPG. The Lakers would lose to the eventual champion San Antonio Spurs in the second round of the playoffs.

• Accounting for 52% of the Lakers’ 101.3 points-per-game in 2001-02, Shaq continued his prime with 27.2 PPG to Kobe’s up-and-coming 25.2 PPG en route to the last three-peat seen in the NBA.

One other tandem, also of Royal Blue and Gold, decorates the annals of prolific pointdom with three appearances on this list of copious scoring in combos.

• Accounting for 52% of the 1964-65 Lakers’ 111.9 points, the logo himself, Jerry West, dropped 31.0 PPG to Elgin Baylor’s 27.1 PPG. The team would lose their third trip to the Finals since moving from Minneapolis to LA to the Bill Russell-led Boston Celtics. You will see these super-twins again shortly.

• Accounting for 51% of last season’s superteam Miami Heat 102.1 scoring on average, LeBron James threw down 26.7 PPG while Dwyane Wade followed closely with 25.5 PPG. Still fresh in the memory is their Finals loss to the Dallas Mavericks.

• Our current tandem chimes in here currently accounting for 50% of the Thunder’s 103.7 PPG offensive output, Kevin Durant in a heated scoring champ battle with Kobe knocking down 27.7 PPG as of April 1 to Russell Westbrook’s much-improved efficiency leading to 24.5 PPG. Postseason fate: TBD

• Dipping under the majority mark for the first time on this list with 49% of the total 109.7 PPG we find the 1963-64 Lakers led by Jerry West’s 28.7 PPG and Elgin Baylor’s 25.4 PPG. They would be bounced by the St. Louis Hawks in what was then the first of three rounds of playoffs, who would in turn be bounced by the eventual Finals-bounds San Francisco Warriors led by Wilt Chamberlain.

This season’s Heat also finds 49% of their 101.3 PPG led by LeBron’s 26.5 PPG and D Wade, although Wade is not near enough the 25 PPG highlighted here with 23.0 PPG. This isn’t necessarily a bad thing though. Dominating your team’s scoring in tandem is by no means a guarantee of a title. Only three on this list have managed to reel one in — all Lakers squads — and only three others even have a Finals appearance the year of making this list.

I can’t be the only one to be at least a little surprised that the Boston Celtics, in all their historical glory, only give us one fleeting glimpse in this group. Without looking I’d wager they do appear on more passing lists though. Nevertheless, I present to you…

• Larry Bird and Kevin McHale, accounting for 48% of the 1986-87 Celtics’ 112.6 PPG, Bird hitting at 28.1 PPG, McHale at 26.1 PPG. However, Magic Johnson and the Lakers would take the playoff cake. Sadly, this would be Larry Bird’s last Finals appearance.

Four different dynamic duos accounted for 47% of their team’s scoring, listed here in order of team PPG. Two would fail to reach the postseason, two others would get relatively early vacations, losing at the conclusion of round one.

• In 1960-61 the Cincinnati Royals would put up an astounding 117.9 PPG behind Oscar Robertson’s 30.5 PPG and Jack Twyman’s 25.3 PPG. But it would be in vain as Cinci would finish the season dead last in the Western Division, then the Western Conference, failing to make the playoffs.

The Big O and Jack Twyman

• Before Willis Reed and Walt Frazier there was Rich Guerin and Willie Naulls who, in the 1961-62 season, led the New York Knicks and their 114.8 PPG with 29.5 and 25.0 PPG, respectively. Despite leading the NBA in attendance in the famed Madison Square Garden that year the Knicks would finish ahead of only the expansion Chicago Packers in the regular season standings, missing the spring season.

• When you think Pistol Pete Maravich you think… Lou Hudson and the Atlanta Hawks?! Putting up a third-best-in-the-NBA 112.4 PPG in 1972-73, Lou Hudson would lead the Hawks with 27.1 PPG with Maravich a free throw behind at 26.1 PPG. Although his most prolific scoring years would be with the New Orleans Jazz, Maravich would never see the playoffs there. This particular year the “Hudson Hawks” would lose to the Boston Celtics in the “first round.”

• The Knicks and Amar’e Stoudemire isn’t the first time someone tried to build a super-core around Carmelo Anthony. In 2007-08 the Denver Nuggets acquired Allen Iverson to pair with Melo and put up an NBA second-best 110.7 PPG, AI dropping 26.7 to Melo’s 25.7 PPG. Hopes were high coming in.

But the Nuggets would fizzle rather than sizzle, getting swept in their first round playoff series with the LA Lakers. Denver is the only other team on this list aside from the Lakers that can boast more than one dynamic duo. Read on to find out who.

• For the third time in four years, in the 1966-67 season, Jerry West and Elgin Baylor would be most prolific on offense, leading the Lakers’ 120.5 PPG with 28.7 and 26.6 PPG each. Yet that elusive ring continued to evade The Logo, and would for a few seasons more as LA would fail to reach the Finals for the only time in a six-year span this year (they lost all five Finals visits between 1964-65 and 1969-70). But West isn’t done yet…

Our other Denver Duo checks in twice in the space of three years here:

• Accounting for 45% of the Nuggets’ 1981-82 point total of 126.5 PPG, Alex English at 28.4 PPG, and Kiki Vandeweghe at 26.7 PPG, terrorized teams with a fast-paced attack in Doug Moe’s first year in charge in Denver.  And then…

• …in the 1983-84 season the tandem would flip-flop, English leading with 28.4 PPG to Kiki’s 26.4 PPG accounting for 44% of the Nuggets’ 123.7 PPG. But like Carmelo Anthony they would be plagued by first and second round playoff exits.

• Battered but not broken, Jerry West would finally break through and get off the schnide in the NBA Finals, albeit it not with Elgin Baylor carrying the bulk of the load of sidekick scoring duties. West is the only player to appear four times on this list of monumental immortality, and the only one to lead the points punch for every tandem appearing more than once. But his partner in crime this time would be Gail Goodrich. In 1971-72 the Lakers would put up 121.0 PPG, West and Goodrich accounting for 43% of the total output, 26.6 and 25.9 PPG apiece.

• Russell Westbrook needs to average 26 PPG over the Thunder’s final 14 games to solidify his and Durant’s standing on this list of scintillating scoreboardery.

A Final Note, Taking It To A Trio

Last season, the trio of LeBron James, Dwyane Wade, and Chris Bosh all scored at least 25 points in a game four times, although two of those times were after the 66 game mark. This season they have done so only once thus far with the 66-game season quickly winding down.

This season, the trio of Kevin Durant, Russell Westbrook, and James Harden have scored at least 25 points each in a game two times. Don’t be too surprised if they do so a lot more often in the near future.

Unexpected Joys

If I were a basketball player (I’m not), there probably isn’t another player in the world I’d rather be complimented by than Kobe Bryant. He’s seen it all. He knows what it’s like to be a struggling rookie. He knows what it means to grow into stardom, and to become one of the most recognized names in sports.  Beneath his perma-serious face, his psychotic competitive drive, his obsessive eye for the game’s nuances, he’s just another fan of the game—a very, very important/scary fan.

So receiving a compliment from Kobe shouldn’t be taken lightly. Unfortunately, I am at a stage in my life where there is absolutely nothing Kobe would compliment me on. And upon closer inspection, it is unlikely that I will ever do anything worth such rare praise. I’ve more or less come to terms with that, and so instead of wallowing, I’ve decided to bask vicariously in the pride of young players who have been bestowed such an honor.

Like, say, Chandler Parsons.

via ClutchFans

Now, it’s no secret that about much of the Hardwood Paroxysm staff is absolutely in love with the guy’s game. It’s hard not to be. The skills Parsons demonstrated in Florida have ported much more quickly into the NBA than most expected, which speaks a lot to how hard he’s worked to get the coaching staff to pay attention to his potential as a facilitator and a defender. Especially when it seemed logical in the extended offseason to develop him as a end-of-the-bench spot-up man. Parsons has been a revelation on defense, using his size, lateral quickness, and extremely active hands to play effective (and fearless) D on some of the league’s most potent scorers. It was enough for Kobe to wipe the generally smug look off his face and dole out some serious praise.

Parsons is having a fantastic March, and people are taking notice. But the newfound attention is made that much better when a player with that amount of influence takes the time to commend your work.

Parsons is of a distinguished few; last season, Kobe took the time to speak about two other young guns in the league.

On Gordon Hayward:

 ”I’m very, very fond of him. He’s a very-skilled, all-around player. I think he’s going to have a very bright future in this league. He reminds me of a more talented Jeff Hornacek. Jeff couldn’t put the ball on the floor as well as [Hayward] can.”

Via Lakers’ Bryant, Jazz praise Hayward | The Salt Lake Tribune (4/7/11)

On DeMar DeRozan:

“I love DeMar,” Bryant said after the game. “I have known him for a long time, obviously with him coming to my camps and things like that…I think he did a great job. He just needs to continue to work on his game, continue to work on his jumpshot and I think he’ll be fine.”

Via DeMar DeRozan: A talent in progress | Holly MacKenzie, RaptorBlog (12/19/10)

It’s good to know that even in the NBA, even for a player of Kobe’s status, there is awareness and appreciation for anyone willing to put in good work. Basketball is a competitive sport, but there is room for respect and acknowledgement. Sometimes, these small gestures are enough to propel good into great. From Kobe, these comments are not only uncommon, but unexpected. Therein lies the joy. Those of power and prestige have an eye for hard work and talent in low places, even when we don’t expect them to.

Understanding Advanced Stats: The Difficulty Of Defense

Continuing the quest to bridge the gap, another edition in the Hardwood Paroxysm series of Understanding Advanced Stats

One of the hardest things to quantify in basketball is the value of individual defense. The eyeball test can at times be as reliable as statistics here, but it can also fool you all the same. Remember that although it helps, “intensity” doesn’t automatically equal good defense (looking at you Mr. Kobe Nine-Time All-NBA Defensive First Team Bryant).

The standard blocks or steals per-game numbers are also very misleading — a good help defender can net dozens of rejections while being a poor man-D and/or rotation-D defender, and no one in their right mind would accuse steals leaderboard regular Monta Ellis of being a good defender. Even Chris Paul, who regularly leads the NBA in steals, is something more a gambler than an actual lockdown defender as many assume when browsing numbers.

Having a preconceived notion of a player’s abilities due to the standard accepted old school stuffed box score of stats, or a prominent analyst’s opinion, can then skew the viewer creating a bias in the mind’s eye. Because individual defense is so difficult to measure in the NBA we often make assumptions and excuses for particular plays or players. Reputations often rule masses, single spectacular plays net new contracts (has anyone made more money and gotten more burn off of a single clothesline than Raja Bell?).

Unlike on offense, there is no one place to go to get a fairly definitive defensive feel of a player — it really takes trips to a few different sites before we have enough information assimilated to even begin getting an accurate feel for a player on the D end that we can then take with us to the game.

Let’s start by taking a look at an All-NBA Defensive First Team selection from last season, one Kobe Bean Bryant, at BasketballReference. As you may recall from previous posts here at HP, lower is better for DRtg (defensive rating).

Kobe actually looks pretty on par by this rating, right at his career average. Let’s dig deeper, next stop 82Games, and opponent PER (player efficiency rating).

While PER isn’t universally accepted as an accurate offensive measure, it lends itself as a very useful tool as a piece of the defensive stats puzzle — there isn’t, after all, “opponent win shares,” or “opponent wins produced” — and while imperfect, it does have a place in furthering our quest. Keep in mind that we are always wary of small sample sizes.

Kobe Bryant, 2010-11 season

Bearing in mind that 82Games says “all stats reflect assigned responsibility to a player” when positional assignments are charted, Kobe looks pretty good here as well (15.0 is considered the “average NBA player” PER). As with DRtg, opponent PER can’t be trusted as a stand alone D-stat — there’s just too many variables, such as maybe his counterpart simply stinks at shooting the ball, a big portion of the PER formula, or that a team’s D-scheme may include a couple of towering seven-foot beasts that tend to force opposing guards to want to take a lot more lower-percentage long twos than they normally would, etc. Just because Kobe is assigned an offender on paper doesn’t strictly mean he defensed that player on a particular play.

For comparison, since we brought him up, Chris Paul’s opponent PER

My eyeballs have been telling me a different story concerning Kobe for some time, so since we’re seeking truth and not confirmatory bias, and knowing now that D-stats are difficult to quantify, we will continue on to another metric to see if it again holds up.

Over at mySynergySports we find dedicated cameras recording every play by every player in every game, then categorized by type. The result is a comprehensive points-per-possession rating, otherwise known as PPP, with accompanying video.

Note: While quite comprehensive, the calculation of PPP, as with any stat, does have it’s flaws as well, one of which is the inclusion of turnovers as a negative mark. This has the unfortunate effect of having a tendency to rate high usage guards, such as Kobe and point guards, lower offensively since they handle the ball much more, therefore turning it over more often, generally speaking. But that has no effect on defensive stats other than that maybe a particular player may have a penchant for floating around in passing lanes or anticipating passes, like say, Kobe or Chris Paul. While this is technically defense, it’s not exactly what one peruses when pursuing defensive measures of a player.

Kobe Bryant, 2010-11 season

Giving up 0.89 PPP overall isn’t awful. It’s not great either, especially when one considers that of the approximately 450 players in the NBA at any given time only about 300 or less are getting significant playing time (Kobe ranked 216 overall on defense, as you can see).

Kobe is good at isolation D and quite often guarded the opposing point guard, as we can glean from his second-largest sample size of 24.1% on the P&R (pick-and-roll) Ball Handler (duh, Derek Fisher. If I was Phil I’d have put Kobe on ‘em too). The best way to expose Kobe on defense is to come off a screen (he doesn’t like chasing guys around. At all.), or make your spot-up shot, where he allowed 1.01 PPP, which was by far the most used method to take advantage of the aged wonder at 40% of the time Kobe defended opposition.

You see, Kobe will play off you, dare you to shoot, because he just loves getting in those kinds of contests where he excels. They get him goin’. He thrives on ‘em. What he doesn’t thrive on is playing defense. Sure, he’ll gnash his teeth,  jut his jaw, talk smack, and stare you down something serious, but when it’s time he mostly just likes to occupy a spot to one side of the free throw line and take jabs at the ball as it passes in the paint. If he has to, he’ll offer a token couple of steps at a close-out with one hand up at the jump shooter. He’s not wasting precious offensive energy playing defense these days.

This is typical of a Bryant defensive setup. He’ll mostly just stand right about there waiting for the ball to come back to him on offense.

Kobe’s man here is CJ Miles, whom Bryant is playing way off of. Bryant has little or no respect for opposing shooters (notice he has his back to his man, granted Kobe knows his scouting reports and all, but this is also typical of Bryant on defense regardless), opting to occupy a space he doesn’t have to move much more than a couple of steps at.

Miles sees Kobe’s manner of defense on him and will astutely take advantage of it a few possessions later. No, not with an ill-advised three. Watch.

Again, same basic setup.

Paul Millsap has the ball, and Kobe’s full attention, inexplicably, on the low block. Pau Gasol has had a little trouble with Millsap this night, but Ramon Sessions is right there ready to cheat down on a double if necessary. Yet Kobe floats over anyway, and as he does he opens up a huge lane that Miles recognizes.

As Miles makes his move Kobe continues to gravitate toward the ball, y’know, cause it’s Kobe and all. He can’t help it. Notice the passing lane Millsap now has thanks to Kobe as Miles cuts to the paint.

You could drive a Kia through that passing lane and a Mack truck through that cutting lane. Millsap takes full advantage of his underrated court vision after pulling three of the floor’s five defenders to him and dishes off to the cutting Miles for an easy layup attempt.

Watch where you're pointing that finger, Mike Brown

No, Bryant doesn’t always make it this easy on opposing players to get clean looks, but he rarely challenges with more than a token effort. If you can shoot even a little, Bryant will let you try.

Watching every defensive spot-up play defended by Bryant in last season’s playoffs, Kobe’s man made 23, missed 26, and fouled three times. Assigning one point per foul, Bryant gave up 49% shooting to his man in the playoffs last year.

Perspective? Only three qualified shooting guards in the NBA last season made at least that from the floor, Dwyane Wade, Arron Afflalo, and Ray Allen, the latter two extremely good mid-range-to-long shooters by perimeter player standards (here’s your cue to go check em out at HoopData). After that the drop-off is pretty steep to DeMar DeRozan and Kobe himself, at .467 and .451 respectively. The median qualified shooting guard last season shot 44% from the floor, so Kobe gave up at least 5% more than he should have in the playoffs with his “defense.” To guys like Trevor Ariza, Marco Belinelli, Peja Stojakovic, and Jason Kidd, who together averaged .405 from the floor in the regular season.

And yes, he gave ‘em plenty of room to do it in. Ring up another victory for advanced stats.

_____

• Chris Paul’s 2010-11 Synergy defensive numbers

• Kobe’s current Synergy defensive numbers for the 2011-12 season. Interesting to note here that while spot-up and iso numbers remain about the same we see a pretty big drop-off in his ability to cover the ball handler this year. And while his overall rank is better this year than last, that’s as likely attributed to a league-wide fall-off in FG% due to the shortened season as anything else

• Handy sortable “simple ratings” from 82Games already sorted for you by opponent PER (remember, click the column heading)

• Dozens of sortable team and player stats by position from HoopStats based on efficiency differential (which they call Diff. Eff. Same thing), yet another metric you can use to fill in a piece to the D-puzzle

• A little something I’d like to see revisited and updated from Rohan Cruyff, defensive pace factor

Inconvenient Truths: The Captain And The Mamba

Photo via ImageMD on Flickr.

Bryant is shooting just 26.8 percent (19-71) in clutch situations, and has produced 0.79 points per field goal attempt. Last season, Bryant shot 40.2 percent in those situations, and averaged 1.28 points per field goal attempt.

The rest of the team, surprisingly, has been much more efficient. Excluding Bryant, the Lakers are shooting well over 50 percent, averaging 1.50 points per field goal attempt in clutch situations.

via Kobe has not been “clutch” this season | TrueHoop Blog | ESPN

Kobe Bryant has been nothing if not the most polarizing superstar of his generation, something that has played out in recent years as he has acted as the lightning rod of the advanced-stats debate. He doesn’t perform well in crunch time, statistically speaking. The hard numbers are there for everyone to see. But in the mind of the average fan, he has never shed the “clutch” label, and likely never will. On a surface level, the results are there in the form of five championship rings and countless buzzer beaters on SportsCenter highlight reels. That’s what will always stick with the vast majority of basketball fans. It’s why, despite the overwhelming statistical likelihood that he’ll miss, every opposing team’s fans tremble in fear when Kobe shoots a jumper against them with the game on the line, and why most Lakers fans are able to suspend disbelief and admit that they wouldn’t want anyone else taking that shot. Of all this generation’s greats, he’s the only one for whom this dichotomy exists, even among statheads. He’s not clutch, except when he is, and he is just often enough and on just the right stages that no metric can fully dismiss it.

It reminds me a lot of the ways in which baseball fans treat Derek Jeter, and many of the same characteristics of that debate also apply to Bryant. They’re both mortal-lock first-ballot Hall of Famers who are among the greatest ever to play their respective positions, something not even their most ardent detractors will dispute. Their careers have seen eerily similar arcs since they entered the public consciousness in 1996: wild individual success and several championships early on, followed by almost a decade of near-misses, tension with their teams’ other prospective alpha dog (Shaquille O’Neal for Bryant, Alex Rodriguez for Jeter), and lackluster supporting casts, before finally returning to the mountaintop in 2009.

Oh, and they’ve both spent their entire careers with the most widely reviled powerhouse teams in their sports, which has contributed to their perceptions. Scrutiny comes with the territory of being a Laker or a Yankee, and the flip side of having your game picked apart to that degree is also having the most ardent defenders. As a lifelong Yankees fan, I’ve been guilty of making many of the same arguments in Jeter’s defense (namely ring-counting and “he comes up big when it matters”) that we all mock Kobe diehards for on Twitter. It’s completely irrational, but it’s also no fun to have to bring up Ultimate Zone Rating or usage rate when reminiscing on championship-level greatness.

To say that sabermetrics buffs don’t like Jeter is an understatement. He’s a five-time Gold Glove award winner, despite nearly every reliable defensive measurement showing him to be a pretty awful shortstop. His nicknames include “Mr. November” and “Captain Clutch,” cemented by a few legendary instances of performing on the postseason stage. As his age has advanced and questions about his long-term durability have emerged, the Yankees would have liked to play hardball on his last round of contract negotiations. However, their hands were tied by the fact that he was, after all, the anchor of five World Series teams and an icon who had earned his rightful place in the Ruth/Mantle/Gehrig/DiMaggio discussion. Will the Lakers regret paying Kobe $30 million in two years? Very likely yes. But he’s done everything he possibly can to be the next link on the chain that connects West, Baylor, Kareem, and Magic in Laker lore, so what could they really have done, not given him the contract?

Jeter’s 3,000th career hit was one of the biggest stories in sports last July, to the point that HBO actually produced a documentary on it. This, as expected, brought about backlash from certain corners of the media and blogosphere, where people were quick to point out (probably fairly) that the milestone wouldn’t have received this much attention if he played for another team. My gut reaction to these people was annoyance with their eagerness to minimize the achievement, usually expressed in the form of the counterargument that nobody would be rushing to call Jeter overrated were he not in pinstripes. I see the same thing happening with Kobe’s fans now, and I completely get why they resent writers who follow up every buzzer-beater with an obligatory “You know, that wasn’t the statistically smart play to make” post. It’s not that these writers are wrong—quite to the contrary, I think it’s great that we can put most venerated stars in their proper perspective with numbers, and I don’t want anyone to ever accuse me of being anti-advanced stats. But I get the annoyance on the part of his fans. If and when he passes Michael Jordan on the all-time scoring list, they won’t want anyone raining on the documentaries and retrospectives that will inevitably crop up. And why should they?

Kobe and Jeter both won titles both before and after the stats boom, and are among the last survivors to straddle both eras while keeping marquee franchises relevant beyond their names. This is why we still allow ourselves to treat their triumphs in the clutch as inevitabilities, even when the math isn’t on their side. We want to think that beacons of greatness from the recent past can exist in the present, and we want to believe that the heroes we build up are real.

The Palimpsest Of Kobe Bryant

I learned a new word in class yesterday. Palimpsest. It’s a page of writing that is reused by scraping off the earlier text. In the early centuries, parchment and papyrus were reused with a washing/scraping method. But the previous text never leaves the page completely. Beneath the most recent (and visible) text is the faded outline of past messages. The word has been used (as was the case in my class) as a way to observe the passage of time — the past will always have an imprint on the present, no matter how faint.

My professor compared it to an Etch-a-Sketch. You can shake a silly doodle away once it stops being amusing, but it’s never really all the way gone.

It’s an interesting word, isn’t it?

The Kobe System commercials have been a major plus for Nike. The brand found humor in Kobe’s intensity, and kudos to them for a successful campaign. While most of the commercials are hit-or-miss – which is largely contingent on the supporting megastar’s comedic chops, as it’s more or less for certain what we’re getting from Kobe Bryant: furrowed brows, intimidating stoicism moonlighting as sagaciousness, “You’re welcome.” —  the commercials that shine are the ones that highlight how nonsensical the system is. The Kobe System – and by extension, the Kobe Experience – isn’t something easily explained. The commercials perpetuate a mysticism surrounding Kobe that we’ve all just learned to accept.

When Kobe goes on one of his patented onslaughts of consecutive fall-away jumpers from anywhere on the floor, it’s hard not to toss your fears and concept of sense to the wind. It’s intoxicating what Kobe is capable of. And it’s scary to think that however much belief we have in his ability to dominate games, to play through pain, and to make the winning shot (and for the majority of fans, that’s quite a bit), the belief he has in himself engulfs it all. We don’t quite chalk it up to supernatural forces. We’re too aware of his will and work ethic to do that. Then again, we don’t exactly omit it entirely from the equation when we use superlatives like superhuman, or bloodthirsty. It’s just Kobe being Kobe, whatever that means.

[flash http://www.youtube.com/watch?v=jvW2MAtRgVs]

Level 2 of the Kobe System is Adaptation. To help Serena Williams reach higher levels of ascension, he tells a reworked version of the dinosaur extinction story with him playing the role of meteor and failure playing the role of the dinosaurs. The story: dinosaurs reacted, meteor adapted. Of course, this is kind of wrong. The meteor that (possibly) killed off the dinosaurs didn’t exactly adapt. It was on an inalterable course of destruction. There was no modification in the meteor’s trajectory that would have provided a different result. While his rhetoric was off, the message is 100 percent Kobe. On a game-to-game level, there is no adjustment to Kobe’s approach, regardless of whether he’s shooting 6-for-28 or 18-for-28. He is his own unalterable path. Apparently in the Kobe System, there is a level of success where adaptation means becoming impervious to anything and everything.

While that’s all true, adaptation – real adaptation – has undoubtedly played a significant role in Kobe’s legacy. Since the beginning, he’s done everything in his power to ensure that he plays the game the way he wants to play it. From graduating from sidekick to undisputed first option, bulking up to slimming down, tapping into his elite athleticism to being mentored by Hakeem Olajuwon on his post game, looking overseas for injury treatment to playing unbelievable basketball with a torn ligament in his wrist, adaptation has become a yearly challenge for Kobe to accept and obsessively dismantle.

We’ve seen many different Kobe Bryants in the past decade-and-a-half. But aside from cosmetic differences, has he ever deviated from his path?

[flash http://www.youtube.com/watch?v=SjBMznQDWJk]

Level 6 of the Kobe System is Beastion (which isn’t a word, but, you know, okay), which confuses the hell out of Kanye West. But when we begin to piece together the fragments of Kobe’s illustrious career, it all starts to make a bit more sense.

If we were to look at Kobe’s palimpsest, there would be 15 messages neatly written one below the other, almost indecipherable at the top, gradually growing in visibility. Then there is a 16th near the bottom in big bold lettering with enough space for more engravings. Each tier of text appears in a new language, but each appears to say the same thing: Destiny is mine and mine alone to control.

Different animal, same beast.

 

Just How Far Can Kobe Bryant Push It?

Via Flickr from the U.S. National Archives by David Falconer

Love, electricity, shockwave central
Pummel on the motherboard, yes
Push up, overload, legendary heavy glow
Sunshine, thunder roll, keep it all together
Yes the lantern burn, burn it easy
And broadcast, so raw and neatly
Thunder roll, sunshine, work it out

Overload, overload, overload
Comin’ up to the
Overload, overload, overload

-Gorillaz, Stylo feat. Bobby Womack and the artist formerly known as Mos Def

Only a fool would dispute that Kobe Bryant has been one of the most focused, determined, and prepared players the NBA has ever seen. The man will do anything to win, including reportedly sporting basketball’s first successful bionic knee obtained in the offseason in Germany. But how much has he really got left in the tank? Count me among the skeptics that adding Dwight Howard to the Lakers would result in an all-new mini-dynasty by Bryant’s side.

Coming into this season Kobe already has higher mileage than a Phil Jackson Montana-grocery-go-getter, some 40,145, good for 24th on the all-time list, and trailing only Ray Allen among active wing players in the NBA. For obvious reason, the Zen Master limited Bryant’s playing time last season as much as he dared, resulting in him playing the least total amount of minutes in a season in six years, and the least minutes per-game since his sophomore campaign, 33.9. By comparison, Ray Allen played 36.1.

Taking into account various factors, such as style of play, scheme necessities, teammates, etc. it makes sense that a Ray Allen would be putting highway miles on that lease as opposed to a Bryant-focused intensity that would equate more to a gutted washboard dirt road on the court. Number 24 always draws the stiffest wing opposition that can be mustered as well, as opposed to an Allen that’s mostly free to roam for open looks thanks in large part to another high-mileage wing, Paul Pierce, the next-in-line among actives on the elbow with 35,710 miles, the usual mile marker for deterioration in statistical regards for NBA miles.

Common sense would say that fuel gauge needle has been in the red for some time now, and with Kobe Mike Brown now in charge in greater LA one would hardly expect him to let up off the pedal any, especially as it’s well known that Bryant has an intense desire to be known in the annals as the greatest Laker ever. Including this season, Kobe has three years left on his contract. Even though he hasn’t played as few as 2,676 minutes in a season since 2003-04, that would be his career average, and as such, the number we’ll be using to determine where he’ll ultimately end up on the all-time list. It’s unlikely he’ll play much less than that anyway, barring injury, if you know Kobe, and I know you do. If there’s a game, he’s on the floor.

• By the end of the 2011-12 season Kobe is projected surpass Michael Jordan and Scottie Pippen in career minutes, vaulting from 24th to 15th on the all-time minutes played list

• By the end of the 2012-13 season he should surpass Oscar Robertson, going from 15th to 11th on the list

• By the end of his current contract in 2014, Kobe should surpass John Havlicek and the all-time NBA leader in minutes among wings, Reggie Miller, going from 11th to 4th with about 48, 173 career NBA minutes

That’s a remarkable achievement in itself, but what does it mean to his production? Surely he can’t remain at the elite level that long, can he? Let’s explore a side-road to see what we can find, shall we. We’ll be using his contemporaries as a marker to try and find out when his game falls off the cliff. While I’ve posted only PPG and usage rates here, in the interests of brevity, I’ve also linked each player to the venerable BasketballReference so you can compare overall statistical highs and lows for each player. FTAs are also a pretty good marker for a falloff in athleticism.

“Statistical peak” does not indicate the statistical pinnacle of a player, for the purposes of this study, but rather the last really productive year of a player’s career before the noticeable drop-off.

Paul Pierce

• Career minutes 35,710

• Statistical peak (before falling off) 2005-05, career minutes 22,876

• Career PPG 22.2, last attained 2005-06

• Career usage rate 27.8%, last attained 2006-07, career minutes 24,616

• Threshold (Read: when seasonal averages fell below career averages), 2007-08 (Although in Pierce’s case it’s fairly clear this was due to a lessened load by the formation of the Big 3. However, Pierce has reached that notable mileage marker, so watch to see if his production drops from here on out through the remainder of his three-year contract and potentially beyond. It should.)

Ray Allen

• Career minutes 40,808

• Statistical peak 2006-07, career minutes 29,682

• Career PPG 20.2, last attained 2006-07

• Career usage rate 24.5, last attained 2006-07

• Threshold, (See: Big 3, although Allen posted a career low for free throw attempts in the 2010-11 season. Is it time?) 2007-08

Michael Jordan

• Career minutes 41,010

• Statistical peak 1997-98, career minutes 35,887

• Career PPG 30.1, last attained 1995-96, career minutes 29,600

• Career usage rate 33.3, last attained 1997-98

• Threshold, 2001-02 (DNP three seasons from 98-99 to 00-01), retired 2003

Scottie Pippen

• Career minutes 41,069

• Statistical peak 1997-98, career minutes 29,857

• Career PPG 16.1, last attained 1997-98

• Career usage rate 22.5, last attained 1997-98

• Threshold, 1998-99 (Pippen fell steadily off from this year on until the end), retired 2004

Oscar Robertson

• Career minutes 43,886

• Statistical peak 1969-70, career minutes 33,088

• Career PPG 25.7, last attained 1967-68, career minutes 26,762

• Career usage rate N/A (But it was likely similar to LeBron James’ career 31.8 average)

• Threshold, 1970-71 (Although Big O didn’t attain his career average after ’68, he was right there until this year, posting 25.3 PPG in his statistical peak year noted above), retired 1974

John Havlicek

• Career minutes 46,471

• Statistical peak 1973-74, career minutes 35,031

• Career PPG 20.8, last attained 1973-74

• Career usage rate N/A (There is one year available, Hondo’s last, but it was likely closer to Scottie Pippen’s prime of about 24.4)

• Threshold, 1974-75 (While Hondo would peak at a ridiculous high nine years into his career, setting the bar so high there was no way to surpass it, the first really relevant drop-off came this year when his FTA’s fell from 5.5 the year previous to 4.0 this. He averaged 5.2 free throws per-game for his career), retired 1978

Reggie Miller

• Career minutes 47,619 (Current all-time leader among wings)

• Statistical peak 2000-01, career minutes 38,254

• Career PPG 18.2, last attained 2000-01

• Career usage rate 21.6, last attained 1998-99 (although in 2000-01 it was 21.5, so we’re nitpicking here)

• Threshold, 2001-02 (Like Pippen, Miller steadily declined the remainder of his career with the exception of one outlier, standout year right at the end. But he was never close to his prime again after 2001), retired 2005

Kobe Bryant

• Career minutes 40,145 (Projected to pass Miller all-time)

• Statistical peak Current

• Career PPG 25.3, last attained RIGHT NOW

• Career usage rate 31.5, last attained every year since 2003-04 (departure of Shaquille O’Neal). Bryant led the league in usage rate in 2010-11 at 35.1.

• Threshold, you’re likely lookin’ at it

 

Kobe has already gone beyond the physical limits of every one of his predecessors in terms of production late in a career, which is pretty remarkable — indeed, he’s one of only two players in the history of the NBA to put up over 25 points a game with over 40,000 career minutes, the other being Karl Malone who dropped 25.5 with 44,608 miles on his wheels — and you can bet he’ll come out gunning in the 2011-12 season. Should he manage to maintain his current level of elite-ness for even a single year it would be setting the bar to almost unreachable heights, making lore of legends and feats worthy of modern-day bards.

But based on the history of the greats, and barring any funny business, it’s highly unlikely.

 

#NBArank leads player discussion … which is a good thing

Photo by Blog Gallery from Flickr.

Over the past couple of months ESPN.com released its NBA player rankings, a process in which 91 basketball experts ranked 500 NBA players (including rookies and certain free agents) on a scale of 0 to 10 based off of the player’s current value.

To no surprise, many of the rankings started controversy on Twitter, Facebook and the ESPN comments section. However, a perturbing trend in the fan reaction to the rankings has been the overvaluing of offensive-minded players, an ode to these players’ apparent bond with fans.

Fans and writers alike can discuss and determine player rankings all they want, but for the most part there appears to be a clear-cut hierarchy in the NBA. There are superstars (LeBron James), stars (Amar’e Stoudemire), All-Stars (Kevin Love), sixth men (Lamar Odom), role players (Tyson Chandler), young players with potential (JaVale McGee), journeymen (Matt Barnes), benchwarmers (D.J. Mbenga) and … Mike Bibby.

Certain players don’t have palpable placements, though. Carmelo Anthony seems to border the superstar and star titles. Monta Ellis is a good scorer, but does that alone merit a top-30 rating (I mean, he doesn’t contribute much else)? Where do John Wall and Blake Griffin rank, based off of the fact that they’ve only played one season and still have ostensible flaws?

In the reaction to these player rankings, the public shows what they value most in a basketball player. Is it efficiency? Production? What about the good ole’ eye test? Locker room guys?

The intangibles that factor into player rankings are too difficult to quantify or explain; they’re different for everyone. But the one asset that always seems to factor into most fans’ voting – albeit, a flawed view – is offensive output, particularly scoring.

Look no further than the most controversial reactions to #NBArank. The rankings that caused the most quarrels (other than LeBron at #1) were Kobe Bryant (#7), Derrick Rose (#8), Carmelo Anthony (#11), and Monta Ellis (#41). To most fans – from their Twitter and Facebook reactions – Kobe and Rose should’ve been in the top-5, Anthony should be top-10, and Ellis should be top-30 at the worst.

The four players all ranked in the top eight in scoring and are unquestionably a few of the league’s most exciting players to watch. They warrant much of the opposing defenses’ attention, can create scoring opportunities from almost anywhere on the floor, and are capable of scoring 40 points on any given night. They must be all be underrated, right?

Wrong.

On the surface, these players should rank higher.

Rose was last season’s MVP, and led his team to the Eastern Conference Finals. He has engraved himself in the hearts of Bulls fans and is in the conversation for best point guard in the NBA.

Kobe is arguably a top-10 player of all-time. He’s the best player on the NBA’s most illustrious franchise (yes, even more so than the Heat or the Celtics), is the game’s “clutchest” player (perception-wise), and is arguably the game’s most popular player (along with LeBron).

Anthony is playing in one the league’s biggest markets (with one of its biggest and most loyal fan-bases), is widely considered to be one of — if not the most — complete scorers in the game, has a fan-friendly “thug” perception, and is clearly one of the game’s most popular players.

Ellis is the apple of most Warriors’ fans eyes (except Ethan Sherwood Strauss, and rightfully so), the offensive engine of one the league’s fast-pace, high scoring teams (eh, I’d say it’s more of Stephen Curry, but I’m going with perceptions here), and is an exciting and sometimes dominant scorer.

Honestly, what’s there to complain about?

Well, a lot. All four players have significant flaws that (theoretically) led to their drop in the rankings and coming up shorter than most expected.

Rose isn’t an efficient or effective offensive player, is an average outside shooter, and is an average defender. This was covered extensively during the MVP debates in March and April.

Bryant’s athletically ability and offensive dominance is quickly fading as time ticks away and his knees wear out. He’s still an elite player, but a shell of what he used to be.

Anthony doesn’t play much defense (and no, George Karl wasn’t the first to notice), and doesn’t create well for others (he’s basically above-average in only two categories – scoring and rebounding).

Ellis is one of the game’s least efficient offensive players, doesn’t play much defense, and is out of control (on- and off- the court).

But to fans, none of this matters. Most generic basketball fans only care about two things: winning and scoring.

Fans, naturally, love when their team wins. That’s the main goal in sports, isn’t it? [Insert cliché about how character and values matter.] If the team is winning, all is usually well. But fans also love offense. They love players that can score, especially in creative manners (no matter the inefficiency). They love seeing crossovers, 360 dunks, step-back jumpers and buzzer beaters. If a player can give them exciting, fast-paced, highlight-filled games, they will love him – no matter his weaknesses.

Regardless of what statistics, bar graphs or charts say or tell you, fans have loyalties to the players that excite them, take their breath away, and leave them wanting more. That is why they are so adamant in defending these offensive-minded players; by ranking them lower than where the general fans feels the player should be ranked, a fan takes it as a disrespect to something he or she likes. No one likes to be disrespected.

In this case, Bryant, Rose, Anthony and Ellis are those players. Is there a chance the more analytical, stat-based voters were a little too harsh on low-efficient scorers that sometimes hurt their team’s offense more than they help it?

Sure. There’s always room for error.

But either way, the fans can’t be swayed, as they’ve developed a bond and connection with the players they look up to and hope to emulate. Sometimes it seems most fans use too much emotion to judge players, while analysts stick by the numbers. Is one way better than the other?

At this point in time, it’s unclear. That’s a conversation for another day. I lean towards statistics in my arguments, but that’s just me. Both sides have their advantages. At least these rankings breed discussion, which sparks and maintains fan interest in the sport we all love.

In the time of a lockout, some basketball conversation is better than none.

Page 1 of 612345»...Last »