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Tag Archive - Martell Webster

It’s A Numbers Thing

Photo courtesy of therapup.net

Artest told Yahoo! Sports he plans to wear No. 70 next season, but the NBA has rules that prevent players from switching their uniform number from year to year. The deadline for a player to change his number is in early March to have it go into effect for the next season and once a number is changed, it has to be worn for five seasons with that team before a player is allowed to change it (unless he is traded to a new team or leaves as a free agent).

Artest wore No. 37 after signing on as a free agent with the Lakers in 2009-10 and did switch to No. 15 last season. It’s not clear what he had to do to accomplish that.

The uniform rule does not come with any stipulations for a name change, however.

If there is a request or circumstance that calls for a number change within the five-year period is approved, it may come with a cost of some kind, according to a league source.

via Los Angeles Lakers’ Ron Artest’s name now officially Metta World Peace – ESPN Los Angeles.

Look, I can’t say I care too much that Ron Artest is changing his name to Metta World Peace. As amusing as it’ll be to see “World Peace” on the back of a dude’s jersey during actual NBA games, I probably won’t start calling him that. Unlike Chad Johnson, who introduced the “Ocho Cinco” nickname informally a couple of years before making it official, Artest is expecting the entire sports world to start calling him by a new, esoteric name over a decade into a career that hasn’t exactly been low-profile.

No, what interested me most from Dave McMenamin’s report on Artest’s name change was the explanation of the process for jersey-number changes, something I’ve always wondered about and been fascinated by. Why does the NBA make players wear the same number for five years? Is it just so they don’t have to print new jerseys to sell? Major League Baseball doesn’t seem to have any rules about this whatsoever. When the Giants acquired Carlos Beltran at this year’s trading deadline, manager Bruce Bochy switched his number from 15 to 16 so that his new power hitter could keep the number he had worn for six years with the Mets. They made the decision at Beltran’s introductory press conference, and both his and Bochy’s new uniforms were ready for the game that night. Considering the NBA’s willingness to bend this rule for its stars (more on LeBron James and Mario Chalmers in a minute), its very existence seems somewhat archaic and unnecessary.

This got me thinking about other noteworthy number changes in recent NBA history, and the reasoning behind them.
Continue Reading…

NBA Playoffs Blazers-Suns Game 3: Damned If You Do, Damned If You’re Without All Your Players

Much is said about the precision that the Suns run with that makes it so hard to stop them. You’ve got the amazing Steve Nash passes. Amar’e and (lately) Jason Richardson’s athleticism. The three point acumen. But what sometimes gets lost in the shuffle is their ability to simply force you into impossible situations, due to presenting no-win scenarios that can only be achieved in transition. It’s much more difficult to create impossible plays to defend in the halfcourt set, because the opponent’s personnel is set, hanging out, ready. They’re not adjusting off the sprint, trying to locate anyone. The result of not only the speed with which the Suns execute the transition game, but the number of possessions they execute it in (via Synergy Sports, 13.6% of their plays are in transition), is akin to trying to run full speed through an antique store with eight rooms, end-to-end, that you’ve never been in before. Each room has a different wrinkle.

Like this.

In last night’s squash of the Blazers, the Suns got going early and never looked back. They especially used JRich. And while the Blazers’ personnel issues definitely need to be considered, there were a number of big plays that happened, especially in the second quarter, where even if healthy the Blazers were screwed. Take this example. With 47 seconds left to go in the first, Nash gets off and running like he always does. Richardson streaks to his left. The problem is that Amar’e is already ahead on the break. The defenders back are now faced with arguably the most efficient play in basketball, the Nash-Amar’e pick and roll, in the most efficient setting, transition. Here’s the result:

So here’s Martell Webster, with no one behind him, mind you, on account of that whole transition thing, trying to figure out what to do. He’s got Amar’e making what looks like a half-ass screen, but the real intent is just to get both perimeter defenders focused on cutting off Nash at the hip. After all, the first objective is stop the ball, right? Webster’s sliding down because if Amar’e breaks from that screen and just slides down, he’s got an easy one-handed dunk coming if Webster doesn’t get over.

Whoops.

Ruh-oh. While Webster’s trying to contain the most efficient play in basketball, a highly efficient shooter is spotting up on Nash’s left, with both perimeter defenders focused on containing the best transition point guard in the NBA. Which means right as Nash passes it, Webster’s too deep from trying to contain the STATATTACK and has to try and run off the three. Which he does. But by that point, JRich could have written a ballad, had that ballad published, then turned that ballad into a play, cast John Malkovich in the ballad-turned-play’s leading role, then spent the proceeds on a horse made of E-Z-Cheez before Webster’s gonna get there.

The result?

Damn it.